Tim Pratt
SF and Fantasy Writer

Archive for the ‘Writing’ Category

2013 in Review

Friday, December 27th, 2013

Looking back over 2013… it’s been a good year. One of my best years, honestly.

After thinking a lot about my levels of happiness, and what I could do to increase them, I made some pretty big changes this year, and have actually stuck with them for the entire year, which makes me think they might become habitual.

One was taking better care of my body, since I put on a lot of weight in 2012; I did not enjoy weighing one-eighth of a ton, so I started eating better and exercising more. I dropped about 40 pounds in 2013 — okay, after excessively rich holiday food it’s more like 35 right now, but I’ll get back there — and I feel vastly better. More energy, my clothes fit better (indeed, whole heaps of old clothes in the back of my closet fit again), and I’ve rewired my brain sufficiently that looking upon a plate of immensely greasy fried food no longer fills me with intense desire, but rather with queasiness. (I still have a weakness for ice cream, which I do indulge — because life is for living — but I indulge rather less frequently than I once did.)

The other significant change was fighting against my natural hermit-like tendencies, as I’ve come to recognize that spending time with other humans, especially if I’m drinking beer or playing games or taking part in other pleasant diversions with them, is crucial to my mental health. It is no longer entirely accurate to say I never go places or do things. I’ve made new friends and managed to spend more time with old ones, and it’s been great. Now if I go a week without drinking beer with people on a patio somewhere I get stir crazy, which is a huge change from my past mindset, when I was so introverted I barely interacted with anyone besides family and co-workers in the real world unless I was at a convention.

I was worried that socializing more would cut into my writing time or reading time, but mostly it’s replaced my video-game-playing time, so that’s a trade I’m happy to make.

Other adventures in 2013: Helping to run the first annual (we hope) Dragon’s Lair writing retreat up on the Russian River. Really, Heather did all the heavy organizing, so I mostly just got to hang out with awesome people and cook a lot of food and sit in a hot tub and talk about writing and, oh, yes, actually do some writing, too.

We took the kid to Disneyland in the spring (and went to Wondercon, since it was right down the street). We also made it to the Nebula Awards weekend in April down in San Jose (highlight: a dinner with Jay Lake and various other writerly types), and I went to local convention Convolution in  November and babbled on some panels. The only other substantial travel was an epic trip to Missouri to visit family with my son in July, which involved an unscheduled three-day stop in Chicago on the way home because of a plane crash at the San Francisco Airport causing our connecting flight to be canceled. The lovely Mary Anne Mohanraj put us up in her beautiful home in Oak Park for the duration of our stranding, and Chicagoan Holly McDowell took us to lunch one day, so as far as travel disasters go it was pretty fantastic.

I actually saw a bit of live music this year, after a few years of not going to shows. Heather wrote a haiku for a contest and won VIP tickets to the huge Outside Lands music festival in Golden Gate Park, which was amazing. Nine Inch Nails and Paul McCartney and lots and lots of other bands, and also foooood. Later I saw Sean Nelson and the Long Winters play a great show in San Francisco with a friend.

Other highlights that involved leaving my house: The family went to the Boardwalk in Santa Cruz in the summer, always a delight. We attended various festivals, notably Eat Real and the Berkeley Kite Festival. We went to a weird cool art thing, the Lost Horizon Night Market, which briefly sparked a desire in me to do weird cool art, which fortunately passed.

My kid got a bicycle for Christmas in 2012, and learned to ride it in January, and we spent much of the summer going on rides pretty much every weekend, tearing up and down trails all over the East Bay, some of the most fun I’ve ever had with my kid (which is a pretty high bar). The boy started kindergarten in the fall. Insert the usual stuff about how they grow up so fast, etc.; which is cliche, but so very true.

Our friend Dawson visited twice, for Heather’s birthday in January and for our son’s birthday in November. Heather had an amazing birthday cocktail party where we drank loooots of sidecars. At the other end of the year, in December, I had a birthday party (weird, but see above re: being more social) where I drank ridiculous quantities of bourbon. The boy’s birthday party involved many many bounce houses. We all celebrate in our own way.

There was some writing stuff too.

I published some books. My collection Antiquities and Tangibles and Other Stories came out in January, and I’m so proud of it. My banter-filled sword and sorcery novel Liar’s Blade was published in March, and it’s one of the most fun books I’ve ever written. The middle-grade spy novel I co-wrote with Andy Deemer, The Stormglass Protocol, came out in September and has picked up some great reviews. Anthology Rags & Bones, co-edited with my dear friend Melissa Marr, appeared in October and has been getting a fantastic reception. The e-book of my latest Marla Mason novel Bride of Death came out this fall, and will be available in print in January.

I’ve written a bit over 300,000 words of fiction and paid non-fiction this year. That’s mostly three full novels written in 2013: Bride of Death, an as-yet-untitled sequel to my book City of the Falling Sky, and contemporary fantasy Heirs of Grace (which may be the best book I’ve ever written). I wrote a few stories, too: “Bastard, Sword”; “Secret Storage,” with Greg van Eeekhout; “The Retgun”; “Revels in the Land of Ice”; “Batman and Wife”; “Seasonal Disorder”, with Heather Shaw;”Happy Old Year; and “Those Who Hunt Monster Hunters.” Most of those are out, or coming out, except “Batman and Wife” which I wrote to perform at a reading, and “Those Who Hunt…” which is on submission. The rest of the wordage consists of miscellaneous essays and reviews and such.

I sold some books, including two of the three I wrote this year, and another Pathfinder Tales novel I need to write next year. For someone whose career crashed and burned in 2009, I keep fairly busy.

Heather and I decided that, since our kid is a bit older now and we find ourselves with the occasional bit of free time, that we’d relaunch our ‘zine Flytrap, this time mostly as an online entity (though we’ll produce a limited number of print issues), paying professional rates for fiction. (Though SFWA just raised their rates, so we’re not paying pro rates by their definition anymore; oh well.) We did a Kickstarter to fund the magazine, and the new issue — Whole number 11, or Volume 2 Number 1 — should be out in February with great stories and art and non-fiction and poems.

I also ran a successful Kickstarter for Bride of Death, the new Marla Mason novel. It was, like, the fifth most successful publishing Kickstarter of all time for a little while there (though I’m sure it’s fallen drastically in the rankings since then, as there are more and more great projects funding every day). Still: I got paid about as much for that book as Random House used to pay me, which was pretty amazing.

I did some fun readings, including a really cool one at Brick and Mortar in San Francisco to launch publisher Freemade SF, which included an amazing “pop-up supper club” meal and live musicians playing onstage along with the readers. The Litquake event at SF in SF was also fantastic.

Lest this seem excessively pollyanna-ish, I’ll note there were of course some bad bits too, though nothing all that drastic. The IRS still seems to think we owe them thousands of dollars (they are mistaken; they failed to record a check we sent, though they succeeded in cashing it), and has been sending us letters for most of the year promising to research the matter in the next 45 days. (We get those every six weeks or so, funnily enough.) That’s been intermittently stressful. We’ve endured the occasional clogged drain, overflowing washing machine, or — just this week — plaster falling from the bathroom ceiling, which also made life annoying, but hey, we rent, and the landlord fixes things promptly. I had some wisdom teeth removed, and then a bone spicule worked its way partially out of my gum, causing much discomfort until my orthodontist filed it down. (Gross, sorry.) Occasional bouts of illness. But nothing epically bad.

Basically: I ate many fine meals (buffalo burgers! rabbit liver mousse!) drank many fine beers (Death and Taxes! Coffee and Cigarettes! Bony Fingers!), did many fun things, made delicious popsicles, read wonderful books, watched good TV, played amusing games, and generally fulfilled my general ongoing goal of making my life revolve around love and art and sustainable hedonism.

Taken On Grace

Monday, November 25th, 2013

Over the weekend I finished writing the first draft of Heirs of Grace, my twenty-something-th novel. (It’s probably the 21st novel I’ve written that’s going to actually be published. Or maybe the 20th, as my forthcoming The Deep Woods is right around 40,000 words, and could be considered a novella or a novel depending on which definition you use. I tend to think of it as a short novel. Which makes Heirs of Grace the 25th novel I’ve actually finished, since I have four trunk books that are complete but not really publishable. A perusal of my bibliography won’t allow you to come up with the same numbers I have here, since I’ve done a couple of pseudonymous work-for-hire books that aren’t listed there. Well. You see the confusion.)

I like this book a lot. It’s a contemporary fantasy standalone with some romantic elements — arguably what I do best, and certainly what I like doing most. I think it has some of my best writing, and jokes, and character stuff, and weird magic. I put everything I’ve got into this one. I hope when the time comes to read it in a few months, you’ll find it worthwhile.

Do people care about metrics? I find it interesting, to understand my own working habits, which are irregular and not really a model anyone should follow. I’m not sure why anyone should care about how anyone else works, though. It just seems to invite pointless comparisons. Most readers likely don’t care how you wrote a book — they just care about how the book turned out in the end.

But Heirs of Grace was a weird book for me, in many ways. I sold it as a serial to 47North, to be published in five novelette-sized chunks over successive weeks, then collected in a complete edition. So it’s a novel, but there are little mini-arcs to each individual section, too. Structuring it that way was fascinating, and gave a solid shape to what had been a somewhat messy book in my mind.

The deadlines were interesting, too. The first chapter was due at the end of September, and after that, I pretty much had a deadline every two weeks, so I was writing 15-20,000 words every couple of weeks — and revising them, so they were fairly polished when I turned them in. I blew one deadline because I got sick and needed a week-long extension, but managed to get the installment after that one done on time, so as a whole I hit my markers. I ended up writing 90,000 words or so over a span of about 50 days — not that I worked on it every day. I’ve always been a binge writer by preference. I like to take many hours at a stretch and produce many words, when time allows.

I stuck pretty close to my outline until this past week, when I realized my planned ending was stupid, morally reprehensible, and — worst of all — boring. I tried to think of a better ending, one that was earned and powerful. I talked out the implications of changing things with a friend at a cafe on Saturday, and I think I came up with something that works.

Those rolling deadlines and the tight time-frame — and the fact that this book is quite important to me, one of the most personal novels I’ve written since Briarpatch — gave my life a peculiar rhythm these past couple of months, and made me identify quite intensely with my characters. I find myself really missing them this morning. I’ll get to spend a few more weeks with them as I work with my editor on final revisions, but soon it will be time to move on to the next book.

I’m feeling happy and accomplished and bittersweet and melancholy today. So, you know. Like a human.

Books and Wonders

Monday, October 14th, 2013

I recently got a copy of Wonderbook (which you can order at Amazon and B&N and other places), a lavishly illustrated, weird, and delightful guide to writing imaginative literature, by Jeff VanderMeer. I contributed in a very small way with some text to make a “revision snake,” one of a series of informational diagrams in serpent form, detailing the revision processes of various authors for various books. Here’s the snake for my novel Poison Sleep, detailing the number of drafts I went through in that book, and some challenges I faced:

THIS BOOK IS FULL OF SNAKES and other wonderful things. It’s seriously one of the strangest, most interesting, and most browse-able books I’ve ever held in my hands. Check it out.

<><><>

There’s another book I should mention, too — my first middle-grade novel, The Stormglass Protocol, co-written with Andy Deemer, is out now. It’s a tie-in novel for a game about kid spies (appropriately called Stormglass, which Andy helped create), and I think it’s fun and fast-moving. It was a great experience, writing a book with twelve-year-olds in mind, though it might appeal to you grown-up types too. (It is not full of snakes. It is, however, full of bees.)

Outsider

Monday, August 12th, 2013

The busier life gets, the less time there is to chronicle my life, so the only time I seem to reliably write about what’s happening to me is when there’s not much happening to me. I’m not going to pretend that I’m breaking the cycle, here — this post will go up and it will doubtless be weeks before I manage another. Mostly when I feel the need to crack wise or bloviate, I do so on Twitter (or facebook), but occasionally it’s fun to go on at greater length than 140 characters, so here we are.

The weekend was cool! My wife, the lovely, talented, and all around wonderful Heather Shaw, entered a haiku contest and won, getting us VIP tickets to Outside Lands, the big music festival in Golden Gate Park. We went this weekend, and it was awesome. Paul McCartney was hilarious and played wonderfully, Nine Inch Nails was badass, and we also saw some good other bands, some comedy (the latter in a Spiegeltent! As Eugene Mirman said, “Comedy is best performed in a hot wooden tent in the middle of the afternoon”), and lots of drunk/high people having the time of their lives. (I was only moderately drunk.) Also there was lots of good food and booze. I ate a lamb burger and sweet potato fries topped with bacon and marshmallow sauce and drank good beer and a great rye manhattan. Huge thanks to our friends Drew and Nicole, and to my sister-in-law Holly, for the heroic acts of overnight babysitting that allowed us to stay out late dancing in the misty rain.

I’ve got a book due in September (another Pathfinder Tales novel, I think my best one yet, unless I blow it before I finish writing), so I had to do some work over the weekend, too. I managed to get a decent number of words in on Saturday before we hit the park, and I didn’t go to the festival on Sunday (my wife went with her sister instead). I was solo parenting and watching my nephew on Sunday, but in practice that meant the kids played together and entertained themselves, so I got a ton of writing done — I managed to write about 12,000 words for the weekend, which is more than I’d gotten done in the previous two weeks. The plot is really starting to click along now, too. I’ve gotten to the part of the book when all I want to do is write. Which is good, since I still need to get a lot more pages done in the next three weeks.

I read and enjoyed Scott Lynch’s new Gentlemen Bastards novel, Republic of Thieves, and am almost done with Daniel Abraham’s new Dagger and the Coin novel The Tyrant’s Law. (In which bankers are a force for good in society! So you know it’s a fantasy novel!) I recommend them, though in both cases you should read the previous two books in the series(es) first.

To write my story “Antiquities and Tangibles” (about someone who finds a little magic shop and tries to buy happiness there, with predictable levels of success), I did a lot of research about happiness, from the philosophy of the ancients to popular self-help to theories in neuroscience to sociological studies. Since I’ve got a personal interest in being happy, too, as a human being, I took note of things I thought might help my life. There’s broad agreement that social connections are key to happiness, and since I spend a lot of my life sitting in my house alone making up stories about imaginary people, I decided to overcome my essential introvert-ness and at least try to see people in the real world more often. After a few months of that, I’m willing to call the experiment a success (though I’m spending more money on beer than I used to). I’m still an introvert with hermit-like tendencies, but going out once or twice a week and seeing people, or having people over, has improved my outlook on life significantly. There were a few years there when I felt like my life was nothing but work-write-parent-repeat, and having things start to open up again is good for me.

Other things of note!

The Kickstarter to revive our ‘zine Flytrap was a success! We’ll be opening up to submissions soon, and our first issue should come out early next year. We’ve already got some great art and non-fiction lined up. Details will be along.

There’s a trade paperback of my gonzo historical novel The Constantine Affliction, out tomorrow, technically, but it looks like you can get it today at your favorite online bookstores and possibly even places in the physical world as well.

As part of the Kickstarter rewards for Bride of Death, I promised to do a monthly advice column from my main character, cranky sorcerer Marla Mason. The first installment of Auntie Marla’s Good Advice is up now. I think it’s pretty funny, but then, I would, wouldn’t I?

I think I mentioned this before, but I started a tumblr to collect various quotes/dialogues/etc. from my son (known to twitter as officeboy), just to have them all in one place: The Officeboy Dialogues. The initial flurry of posts has died down as I’ve posted most of the best stuff, but I’m still updating it as he says new hilarious/smart/weird things. Like yesterday when he made some insightful comments about my hair.

Letter to An Aspiring Novelist

Friday, June 21st, 2013

I’ve been corresponding a bit with an aspiring novelist who finished his first novel and is likely going to self publish it, after some frustration with trying to find an agent and publisher. He wants to be a professional writer and is very eager to get published; it’s a feeling I remember well. He also feels a bit remote from the scene because he doesn’t live in an English-speaking country.

I gave him some advice. I don’t claim to be an expert, but this is based on my experience with traditional publishing, self publishing, working for an industry trade magazine, etc. This is pretty much practical publishing stuff, which is actually my least favorite kind of advice to give; I’d rather talk about writing better stories, but this stuff is important too.

Here’s what I wrote him, with the identifying info stripped out (and some typos corrected and bits clarified):

Well, sure it could take several books until you write one good enough to sell. Some people sell the first book they write, but it’s not common. You wouldn’t open a restaurant the first time you cooked a recipe. You wouldn’t buy a shiny new scalpel and declare yourself ready to perform brain surgery after perusing an anatomy textbook. Writing novels isn’t easy. (That thing about how it takes 10,000 hours of dedicated practice to attain mastery of any subject is probably more or less correct. Writers also talk about the “million words of crap” — until you’ve written a million words or so of fiction, you probably still have a lot of the basics left to master.)

What’s your hurry? You want this to be your career, so do the work. I started writing seriously when I was 14 — I mean, I was writing from age 7 or so, but I was submitting and revising and researching markets from age 14 on. I sold my first small-press stories when I was 19 or 20, and had my first pro sales in my early twenties. When I was 30, I won a Hugo and got reprinted in the Best American Short Stories and after that I could sell pretty much any story I finished (if I thought it was good enough to send out). Only took me 16 years of steady effort. And that’s stories — I’m still figuring out how to write novels, after selling about 20 of them, and writing about 25.

If you write in English and have a reliable internet connection, it doesn’t matter if you live in [land far away from the US]. (I’ve met my agent maybe twice in person in the ten years we’ve been working together. I’ve met very few of my editors and publishers in person.) Everything is done via e-mail.

Since just looking at lists of agents can be intimidating, I recommend trying to find agents who’ve sold books similar to the ones you write. Find the websites of authors who are in the same genre you are and see if they mention who represents them. Look in the acknowledgments of books broadly similar to yours and see if the authors mention their agents. Or subscribe to Publishers Marketplace for a month and search in their deals database, to see which agents are selling novels in your genres — especially first novels. (If they just sold a first novel, odds are good they’re open to new clients.)

Then google their websites, which will almost always have submission guidelines. Some want a query and thirty pages, some want a query and two pages, some just want a query, some want attachments, some will reject submissions with attachments unread — just follow the individual guidelines. A lot of people are lazy and send out mass e-mails that ignore individual guidelines and agents will mostly ignore those e-mails; who wants a client who can’t follow even basic instructions? (A sufficiently brilliant book can trump everything else, of course… but I’ve never written a book so brilliant I could ignore the standards of professionalism.)

Yes, it’s a lot of work. If it were easy, everyone would do it. The odds are probably better for a high school basketball player to be drafted to play professionally than for an aspiring writer to get signed by a major publisher. (There are a LOT of aspiring writers.) But then, most aspiring writers are not good enough to be published professionally, just as most high school basketball players aren’t good enough to play professionally. If you’re good, you’re not competing with every writer that submits to an agent or a publisher — because 90% of those submissions are simply not good enough. If you’re good, you’re competing with the 10% that are also good. And if you’re in that 10%, you will eventually get a deal.

Your first novel is, frankly, probably not in that 10%. I know nothing at all about your work, and maybe you’re the exception, but statistically, probably not. I was sure my first novel was brilliant when I wrote it, and looking back, I’m so glad the e-book/self-publishing revolution hadn’t happened in 1996, or I would have published that disaster of a novel, because I truly believed the publishers who rejected me just weren’t capable of understanding my genius. Nope. Turns out I was just suffering from the Dunning-Kruger effect, and radically overestimating my own competence.

I’ve got nothing against self publishing, of course. I’ve done it, and it’s great for some projects. But traditional publishers still have distribution on their side, and all the “e-book revolution!” stuff to the contrary, most people who buy books still buy actual printed books, and many of them buy those books in actual bookstores. (Hard to believe, I know. And in some genres, especially romance and thrillers, e-books are making up as much of half of sales — but for most genres print still wins handily.) That may change, but for now, there are definite advantages to signing with a real publisher. Real editing. Good covers. Advances. And it’s far easier to sell foreign and sub rights if you were published traditionally, and for many writers, that’s where you make your real money.

Anyway. Do whatever feels right to you, of course. But that’s what I think on the subject.

Things! Of! Note!

Tuesday, May 14th, 2013

First, there is now an audiobook of The Strange Adventures of Rangergirl available for your listenings! Narrated by Marguerite Croft, and with a great cover by Jenn Reese. Go, download, listen, enjoy. (And go ahead and get some of my other audiobooks while you’re at it.)

I have begun a Tumblr to collect all the various Officebaby/Officeboy quotes that have appeared in scattered places online for years: The Officeboy Dialogues. I’ll update it somewhat regularly with new and classic utterances until he stops saying cute things or gets old enough to be annoyed by the site, whichever comes first.

My Pathfinder Tales novel City of the Fallen Sky is a finalist for the Scribe Awards in the Original Novel category. Very cool, especially since I’m writing another book about those characters this summer.

In other news: I’m 65,000 words into Bride of Death, and expect to have a complete first draft by the end of the month. It’s going really well now; I’d rather be writing it than doing most other things, including those actions necessary to maintain life. In June some other deadlines will begin racing rapidly toward me, so it will likely be September before I can revise the novel. Then there’s copyediting and proofreading to do, so I’m planning for publication in November, most likely. The e-book at least will be out by year’s end for sure, barring unforeseen catastrophes. Onward, ever onward!

Synopsisopolis

Monday, April 15th, 2013

I used to have the worst time with writing synopses of novels. Part of it was that I had a career as a novelist before I ever really needed to write one. I sold my first book with a complete manuscript in hand, and the same with my second, and while I had to write a few paragraphs for the later books in that series, they weren’t what you’d call well-fleshed-out synopses.

But eventually the day came when, in order to sell a book based on a proposal, I had to first write an actual synopsis, describing an as-yet-unwritten novel in some detail, and my poor brain just vapor-locked. That’s not how I work! I complained to those poor unfortunates who are obliged to call themselves my friends. I just leap into the book and see where the current takes me! I can’t plan ahead! The book would become like unto a dead thing on the page! (Yeah, I really say stuff like “like unto a dead thing,” it’s troubling.)

Fortunately some of my friends who are more established writers than I am said, “It’s not like you have to follow the synopsis. Just give them the general idea, and as long as you don’t deviate so wildly that the book enters a different genre or becomes totally different in tone, nobody is likely to care.”

I found that comforting — it took some of the pressure off — but I still had a hell of a time writing the things. I’d sit down and start writing, and when I looked up I’d have five pages of backstory and character motivations and interrelationships and nothing about plot. So I’d try again, and end up with a well-described plot that sounded frankly dumb and improbable, because it left out the character stuff that gave it any weight. So I’d try to combine them both and end up with a synopsis in the neighborhood of 8,000 words long, for an editor who wanted “a couple of pages.”

Eventually I had one of my few genuine epiphanies. The point of a synopsis, I decided, was to convey some of the excitement I felt about the book I was planning to my editor, in a document they could use to convey that excitement to higher-ups at the publishing company, and marketing people, and so on.

I thought, “Why don’t I try to describe the book the way I would describe it to someone at a party?” This is something I’ve been known to do, at convention parties especially, when someone is unwise enough to say, “So what are you working on now?” Depending on how much alcohol I’ve had, the responses can be quite long and involved and necessitate a certain amount of waving my arms and possibly shouting. (I briefly considered and discarded the notion of a video synopsis where I would simply record myself ranting about the book I had planned. Novelty can be good but there are limits.)

Still, I used that as my guiding principle: write the synopsis in a conversational tone, as if telling a sympathetic friend about the really cool thing I’m going to write. I wouldn’t tell them every turn of the plot or every reversal, but I’d hit the highlights, and get across the tone and the nature of the characters and convey the essential awesomeness of what I had in mind.

I tried writing the dread synopsis that way, and it came out pretty well, so I sent it in, and sold the book. I’ve used that technique in every synopsis I’ve written since then, and it’s worked more often than not. I’m not saying it’s a perfect solution for all writers everywhere… but it was the only way to defuse my own anxiety about the process, and it seems to get the essential spirit of the book across, which matters.

Writing synopses went from being something that terrified me utterly to something I do without anxiety — indeed, with some pleasure. They even serve a useful function for me, by crystallizing what’s most important to me about the book, what I’m most passionate about, and what sets my mind racing most rapidly. There’s still enough mystery in the details that I keep myself interested while writing, and give myself problems I have to ingeniously solve, but I don’t lose sight of the basic shape of the book or feel lost in the fog of possibilities.

I wrote a synopsis for a proposal last week, and my process was this: take a long walk and think about the book. Sit down at my favorite bar and get a beer and scribble in a notebook. And, barring some clean-up, I was done. (Of course I don’t know if it’ll sell, but I think it’s a pretty good synopsis.)

So if I’m ever at a party and I’ve had a few to drink and I begin to slowly back you toward a wall while animatedly talk-shouting about my next book, unreeling what seems to be a stream-of-consciousness list of eyeball kicks and set pieces and things I insist will be really cool even if they don’t sound remotely cool, take comfort in the thought that you’re helping me refine the pitch for some future project.

Take It As Read

Tuesday, March 5th, 2013

We’re deep into the last day of my Kickstarter for Bride of Death, so if you were thinking of becoming a backer, now is the time. Every time I look at the Kickstarter page I am filled with joy and delight at the generosity of my readers — and the power of crowdfunding to make art compatible with financial necessities. What I’m trying to say is, thank you, and hurray.

The new issue of Apex Magazine is out today, with my looong story “The Fairy Library” free to read, and an interview with me (mostly about my new collection), and also many good things by people who are not me, like the awesome Rachel Swirsky and the equally but differently awesome Will Alexander.

I am doing another Ask Me Anything at Reddit Fantasy this Thursday, with Richard Lee Byers — we both write Pathfinder Tales fantasy novels, so I imagine there’ll be a lot of questions and answers about those, but as the name implies, we can be Asked Anything. Do drop by. Speaking of Pathfinder Tales, here’s a sample chapter for my new novel Liar’s Blade, with a fantastic illustration of one of my favorite characters from the book.

Life is very very busy, with readings to do and stories to write (with deadlines that are nearly upon me) and Life Stuff and a very full calendar… but it’s good. I am happy and productive.

A Month of Marla: A Cloak of Many Worlds

Tuesday, February 26th, 2013

Each Tuesday for the month of February I’m posting a different story about my character Marla Mason. This week we have “A Cloak of Many Worlds,” written as a Kickstarter reward for one of my previous crowdfunded projects. This one’s a bit unusual, in that Marla doesn’t actually appear in the story, apart from a couple of mentions — but it’s about an old friend of hers dealing with a dangerous entity that used to belong to her.

(This is a transparent attempt to tempt people into supporting my Kickstarter for the new Marla novel Bride of Death.)

A CLOAK OF MANY WORLDS

Bradley Bowman — known, in most realities, as “B” to his friends — was getting pretty good at being a god. He hadn’t gotten much in the way of training, as his predecessor had died (or, more accurately, committed suicide), but since one of the perks of the position was a vastly enhanced mental capacity and total mastery of time, space, and the multiverse, he’d figured out things pretty well just by muddling along.

He was more than a god, really. Gods feared him — at least, those that believed in him did.

B sat at a small wrought-iron table in a gazebo in an imaginary garden, buttering a real piece of toast. When he took a sounding, he found an amazing 89% of himself was at least content, and 67% would have gone so far as to call it “happy.” A good morning, then. One of the best.

His lover, Henry, sat across from him, reading a French-language newspaper from a world where Napoleon’s empire had spanned the entire globe and persisted for two centuries. Henry had died of a drug overdose in most of the universes B had visited — back in timelines when B was still mortal, and so capable of uncomplicated linear heartbreak. B had taken advantage of his position to scoop one particular instance of his lover from a doomed timeline and taken him here, to the house outside space-time, to live as B’s immortal companion.

He was pretty sure such things were against the rules, except, as far as he could tell, there were very few rules, and no one to enforce them anyway. As long as he didn’t damage the structure of reality itself (an act which would be instantly self-negating, like a fire choosing to extinguish itself) he could do what he liked. There were other Powers his equal or better — he’d met them, he was sure, when he “interviewed” for this job — but thinking about them was like trying to look at the back of his own head.

Once he’d tried to save a few versions of himself who’d died unpleasantly in the past, but without success; he could see them, but trying to touch them was like squeezing smoke. There weren’t many rules… but there were, apparently, a few fundamental laws that couldn’t be worked around.

B’s job was to protect the integrity of the multiverse. To prevent creatures — apart from himself, and he didn’t count — from passing from one reality to another, shredding the fabric of space-time as they went. To guard against incursions from Outside, that mysterious space (or collection of spaces) where other entirely different universes bubbled in the quantum foam, and from In-Between, the dark shadows between the branches of parallel and proliferating realities, where dwelt terrible predators composed of equal parts biology and geometry.

His domain was not infinite, but it was very large, and ever-growing, as with each passing moment, in each universe, new choices were made right down at the quantum level, each choice spawning a new universe, endlessly branching, endlessly diverging. But B could be everywhere at once, if need be; so that was all right. And it wasn’t as if there were many real dangers. Cross-dimensional travel was rare, the dwellers In-Between mostly seemed happy to stay there eating any foolish sorcerers or science-explorers who breached their domains, and as for Outside, well –

“I dreamed about the cloak again,” Henry said, not looking up from the paper. He was blond, young, handsome, a lock of hair falling across his pale green eyes at almost all times, and his voice poured like honey when he said the least little thing.

B frowned. Contentment levels in the collective dropped precipitously. “Shit,” he said.

“Once is happenstance,” Henry said, rustling the paper. “Twice is coincidence. Three times — ”

“Yes, I know,” B said, and put down his toast.

#

B contained multitudes. He’d once been a mortal man, living a mortal life. He’d existed in tens of thousands of realities — but when he chose to accept this position, the wave-forms had collapsed, and he’d become a single individual, effortlessly containing the memories and experiences of all his counterparts. He thought of himself sometimes as “the collective,” since he was an amalgam of many, acting as one. He could spread out again, near-infinitely, sending versions of himself wherever they were needed in the expanse of time and space, every copy in continuous psychic contact with the main body, but after that breakfast most of him was together, standing on the frozen emptiness of a version of Earth that had drifted a bit farther from the sun than most, becoming a ball of nothing much but dirty ice, utterly lifeless.

There were a pair of cloaks wadded-up at his feet, made of white cloth, lined inside with an ugly bruise-purple, the color even more shocking than usual in this pale wasteland. “You little shits,” he said, kicking one of the cloaks. “How are you getting inside his head? I know you whisper and tempt and wiggle your little psychic fish hooks into people’s brains, but Henry isn’t even in this reality, he’s not in any reality, we’re curled up in a separate dimension. So how the fuck…”

Not for the first time, B considered picking up the cloaks and hurling them into a sun — or a black hole. The problem was, he couldn’t be sure what consequences that might have for the sun, or the singularity.

In many of the universes where B had been mortal, he’d made friends with a sorcerer named Marla Mason, who often possessed a magical purple-and-white cloak, an artifact of great power. In many of those universes, she discovered the cloak was a malign psychic entity bent on the utter domination of the world. Without a host body — a wearer, essentially — the cloak was largely inert, capable only of small telepathic whispers. Once it found a host to wear it, though, the cloak tried to possess the wearer’s body, and from there… onward to conquest, working magics that were unmatched in the multiverse.

On many of the worlds where Marla wore the cloak, she was unable to resist the cloak’s power, and became a genocidal tyrant. Bradley had stepped in on a micro level not long ago, as a favor to a version of Marla he was particularly fond of, and he’d taken a couple of instances of the cloak away, putting them here in this wasteland, where they could do no more harm.

The cloaks worried him, though, because they were from Outside — the only Outsiders he’d ever encountered. They didn’t belong to his multiverse, but came from some other entirely different universe. The physics (and metaphysics) of B’s multiverse didn’t apply to them — in some senses, this place was inimical to them, and the cloaks needed a physical host to support them just like an astronaut needed a space suit to function in the airless depths.

But in other ways, this multiverse was easy pickings for the cloaks; their magics were all but unstoppable here. And of course there were more of them every day, every moment, as the multiverse continued to branch, spawning new copies of the cloak with each variation. Sure, many of them were lost, or locked away, or sleeping and lying dormant without hosts, and they were all stuck in their respective realities, but still — they were wrong, and their existence troubled him.

Clearly, they had powers B didn’t begin to understand, and since he was supposed to understand everything in his multiverse, that was irksome. He needed to know where they’d come from, and what they wanted, and how they were whispering to his boyfriend… and how serious a threat they posed.

Fortunately, he was in a position to find out.

#

Henry followed him, but just to the top of the basement stairs. “Are you… you really have to go down there?”

B shrugged. “Some of them know things I need to find out.”

Henry blew a mouthful of smoke toward the ceiling — no reason to avoid cigarettes, here; they were beyond things like cancer — and nodded. “Okay. I just know how much they creep you out.”

“The basement’s not my favorite place,” B agreed. “But sooner started, sooner done.” He unhooked the padlock on the door — which was much more than an ordinary padlock, of course — and pulled it open. He descended solid stone stairs to a space so well-lit not a single shadow could collect in the corners. The walls were lined with man-sized glass containers, curved at the top like bell jars, each one holding a different version of B himself, their eyes closed, motionless but dreaming.

One Bradley was so disfigured he was barely recognizable, face a collage of scars, dressed in the shreds of a military uniform that was clearly from the Hugo Boss school of stylish fascism. Another was missing half his head, the damaged parts of brain and skull repaired with shiny metal plates and alien technology. A third had shockingly snow-white hair, and his left arm had been replaced by a long, blue-black tentacle that twitched and writhed even in the depths of suspension.

These were the versions of Bradley Bowman that had been purged from the collective. They were insane, or power-hungry, or otherwise dangerous, all from worlds that had suffered terrible agonies at the hands (or claws, or mandibles) of supernatural or extraterrestrial menaces — since B was a powerful psychic in nearly every reality, he was often dragged into the plots of such creatures, and sometimes terribly changed in the process.

The imprisoned version of himself that B needed to address today was fairly typical in his appearance, but reaching out to him mentally, B felt the void at the center of him, the profoundness of his broken places, the depth of his hunger. His neck was terribly scarred, as if he’d been scourged with a whip of needles; and in a way, he had. That version of B called himself the Host.

There were several realities in which B briefly wore the purple-and-white cloak, taking on the power and burden temporarily from his friend Marla Mason to help save the life of another. But this Bradley, the Host, for whatever reason, had lacked the willpower to resist the cloak’s whispering for even an afternoon. He had submitted to the cloak’s will, slaughtered Marla… and over the course of the next year, combining his own vast psychic gifts with the cloak’s brutal magics, he’d subjugated the entire Earth. He’d lost his empire when all the versions of B combined and ascended to meta-godhood, leaving his government in shambles (and the cloak itself abandoned, and in need of another host).

Most of the cloak’s hosts lost their minds when they were possessed, becoming vestigial things, but because of his psychic powers, the Host had managed to wall off part of his psyche, keeping it whole and intact. Unfortunately… he’d come to love the cloak. To love the power. The ability to do anything, without consequence or hesitation. His presence in the collective had been intolerable, like having a splinter in your eye, so B had sealed him away here… but now he needed the man’s insight.

B touched the glass jar. It shimmered out of existence, and the Host opened his sea-blue eyes.

A conceptual shift later, B sat in a steel chair in an interrogation room that lacked windows or doors. The Host sat across the scarred metal table from him, draped in chains. He smiled, showing teeth sharpened to points, then lashed out psychically, trying to seize control of the collective. It was a hopeless gesture — he was outnumbered literally billions to one — but B still reeled backwards under the ferocity of the assault.

“Well,” the Host said. “Worth a try. I didn’t become ruler of the world by never making an effort.”

“You weren’t the ruler of a world,” B said. “You were just the mount the ruler of a world rode.”

The Host shrugged. “The cloak and I had a more equal partnership than you’d like to admit. She burned the humanity out of me, to let me achieve my true potential, and she accepted my counsel.”

“Oh, I know that,” B said. “Which is why you’re here. I want to know about the cloak. What it is. Where it came from. What it’s doing here.”

The Host raised an eyebrow. “You’re something more than a god, brother. But you are wholly ignorant of the cloak’s true nature. Doesn’t that tell you something? Doesn’t that make you realize the cloak deserves to have dominion over this multiverse?”

“A case could be made,” B said. “Except for the bit where she wants to eradicate all other life.”

The Host shrugged. The scars on his neck where the cloak had clung, sinking the needles of its pseudopods deep into his flesh, were red, as if still infected. “You can’t blame her. Would you want to move into a house infested with roaches and centipedes, the bathtub full of slime eels, spiders in the pillows, slugs in the cupboards? That’s what we are to her — what all life is. She needs to keep a breeding pool of sentient creatures around, of course, to act as hosts, since our reality is unpleasant for her — it makes her very sleepy, like a lack of oxygen does for humans — but otherwise… things are much more beautiful without the slime mold of life everywhere. I came to see things her way.”

“I know all that. Tell me what I don’t know. Where does she — it — come from?”

“Why should I tell you?”

“I’m prepared to bargain,” B said. “I’ll bud you off, and give you your own existence, and put you on an Earth capable of sustaining your life, but one that hasn’t developed any sentient species. You’ll get to live in a natural paradise, which is better than you deserve.”

“A planet teeming with things I can kill? Interesting.” The Host showed his teeth again. This time, he licked them, and the points of his teeth drew blood from his tongue.

#

Hours later — not that time mattered here, but subjectively, it had been a long day — B sat at the table in the gazebo staring down into a cup of espresso. “The cloak comes from another universe. From Outside. Which, I mean — I figured. But what I didn’t know is, the reason it’s here.”

“Vanguard of an invasion force?” Henry sat with his arms crossed over his chest, frowning. Despite how distracted he was, a good 40% of the collective admired the way Henry’s crossed arms made his biceps bulge.

B shook his head. “No. The cloak was a criminal in its own reality. ‘Criminal’ isn’t exactly the right word, apparently — they don’t make a distinction between natural laws and laws created by sentient beings there, but apparently it’s also possible to break natural laws there, don’t ask me how. The cloak — the thing we call the cloak — did that. Violated something fundamental. And its punishment was being sent to our universe. Banishment. Exile.”

Henry frowned. “Wait. So we’re like… Australia? And the cloak is a British convict? Our multiverse is a penal colony?”

“More or less. With just a single prisoner. Except, of course, this being a multiverse, that prisoner has multiplied, in a way.”

“So… why am I dreaming about it?”

B winced. “This part, I figured out for myself. I fucked up, Henry. I had two cloaks together in one reality, and I took them both to a third reality, one with an uninhabited Earth, making my own attempt at banishing them. The cloaks are Outsiders, so it doesn’t exactly break my rules to put two of them in one reality, even though usually duplicates inhabiting the same reality is a no-no, one of the things I’m meant to guard against. The cloaks are… sort of outside my jurisdiction, so it’s okay. But I think passing through the membranes between realities so many times taught them something. The cloaks have senses I can’t even imagine — and since I’m capable of simultaneously watching everything throughout the past and into possible futures in every reality, those are some badass senses.” He ran a hand through his hair. “The cloaks must have figured out something about reaching through the membranes, even in their dormant state, when they’re just capable of whispering. So they’re whispering to you, Henry. They know they can’t overcome me — I’m billions of powerful psychics rolled into one — but you’re a singular creature, and a potential host.”

Henry whistled. “They’re trying to seduce me? They should work on their technique, because nightmares of utter destruction and choking to death in the gutter and ODing on needles full of junk aren’t really tempting me — ”

Not far away, just down the path, the front door of the house opened. That shouldn’t have been possible, because there was nothing else conscious and alive in this place to open a door.

Another Henry stepped out of the door. Except this Henry was wearing something that looked, at first glance, like a purple cloak, lined inside with white. To Bradley’s more advanced eyes, the cloak was revealed as something else: shaped a bit like a manta ray, but covered in eyes, and fringed all over with long, tentacular pseudopods, many ending in hooks and barbs, which wrapped around that other Henry’s body, and sank into his flesh. He came down the steps, and was followed by a second Henry, wearing another cloak — and finally by the Host, somehow freed from his prison in the basement, cloakless, and gazing at the new Henries with naked lust and hate. Other exiled Bradleys followed — the cyborg, the fascist, the madman with the tentacle, and more.

“Bastard,” the Henry in front shouted. “You saved one of us, but not all of us, so many of us are dead, you could have saved us all, but you let us die!”

“Fuck,” Bradley said, and grabbed his Henry’s hand, and fled.

#

Henry was barefoot, wearing shorts and a t-shirt, but Bradley made sure he wasn’t cold, even though they were standing in frozen tundra. Standing in the place where the exiled cloaks should have been, and weren’t.

“They weren’t just whispering to you,” B murmured. “They were somehow whispering to all the versions of you, down the timestream, telling them I was a monster, that I could have saved their lives, and chose to let them die. Which…”

“You could’ve,” Henry said. “I guess. We’d have to put in a whole lot of extra bathrooms, though.”

B laughed, mirthlessly. “Yeah. I didn’t think it was practical — saving even one of you was an indulgence, and an abuse of power. Those visions of death in the gutter weren’t meant for you — they were meant for all the versions of you I didn’t save. And somehow, the cloaks opened doors, passageways, between realities. They shouldn’t be able to do that. They never could before.”

“When one monkey learns to use a stick to get ants out of an anthill, all the other monkeys who see him do it figure out how to imitate the trick,” Henry said. He shivered, despite the envelope of warmth B wove around him. “The cloaks saw you come and go here, checking up on them, and you said it yourself, their magics are way beyond what’s normally possible in our universe. They must have just learned to do what you do. So. What happens now?”

“Now?” B peered forward, into the most likely futures. “They breach the walls between universes,” he said. “Repeatedly. Using Henry — versions of you — as hosts. And once they find more versions of themselves in other realities, locked in boxes or hidden in closets or buried in concrete pits, those new cloaks take over the versions of me they freed from the basement. That merry band continues to breach the walls between realities, looking for more versions of themselves, the cloaks intermingle, the cloaks breed…” He shuddered. “They don’t conquer the multiverse, of course. Our realities can’t sustain that kind of damage, all those holes being torn between them. I’m the only one who can move freely from one place to another without doing damage in the process — I have a special dispensation. In a few months, the structure of the multiverse will be shredded and pierced and as fragile as rotting lace, until… it all falls apart. After that, the things from In-Between can’t tell the difference between our realities and their dark domains, and they surge in, and eat everything alive. ‘Eat’ is the wrong verb, but it’s close enough in terms of effect. Then the cloaks start to use them, the things In-Between, as hosts, and after that… I can’t see what happens after that, because none of me is left in that scenario.”

“So we’re screwed.” Henry sat down on the ice. “Hell, B. I knew you had a lot of responsibilities in your job, but…”

B frowned. “Wait. There’s a thread, a possibility, a vanishingly-small likelihood, a billion-to-one chance…” He whistled. “Billion-to-one. When you’re me, those are actually pretty decent odds.”

“What’s the play?” Henry said.

“We break the rules,” B said. “We go Outside. I can’t see what happens if we do that — it’s like asking a dog to see colors, or a man to see into the infrared, it’s beyond the limit of my senses — but there are futures where I try it, and I don’t see doom in those. I don’t see anything in them. They’re singularities, no information escapes from them. But when your choices are certain death or the great unknown, the only sensible choice is to go with the unknown.”

B squinted at the ice, and scuffed a line on the ground with the heel of his boot. He dragged his foot along, making another line, and a third, and finally a fourth, forming a rectangle about the size of a door. Then he lifted his foot and stomped down, hard, in the middle, causing the ice to crumble into a twinkling darkness.

“Down the hatch,” he said, taking Henry’s hand. His boyfriend didn’t hesitate: they jumped in, feet first, together.

#

After a dizzying interval of falling, B found himself sitting in a white chair, shaped like an egg, mounted on a pedestal. It was like something from a 1970s vision of the future. He swiveled in the chair, looking around. He was in a small white room, utterly blank, except for a circular red lens mounted in the center of one wall. Henry was nowhere to be seen.

“Where is my — ”

“He is safe,” a booming mechanical voice said, speaking from all directions at once. “Frozen in a moment of falling. Where he lands… that depends on the outcome of this conversation.”

B stared at the glowing red camera eye. “You’re one of the powers. One of the things… like me.”

“I am to you as you are to ordinary gods, and as ordinary gods are to mortals,” the voice said. “You may call me — ”

“HAL-9000?” B said.

“I appear in a form dependent largely on your memory and perceptions,” it said. “Even given your extra-human senses, you do not possess the sensory apparatus necessary to look upon my true form. I gather I appear to you as some sort of… killer robot?”

“Close enough,” B said. “So. Are you God? Not a god, but — the big one? The one at the top? The maker of the makers?”

“Hmm. No. No more than a gardener is God. The plants would grow regardless. The gardener merely encourages some growths, and discourages others, and occasionally resorts to weeding. Or pesticides. Or, in extreme cases, fire and salt. That is my relationship to the great complex of universes. All those universes exist, in their vast numbers, and I do what I can to keep them growing and healthy. And I try to make sure one doesn’t strangle another, or kill its neighbors by stealing all the sunlight. You may think of me as the Gardener, if you like. Such metaphors are limited, but they have their uses.”

“So the way I oversee the multiverse,” B said, “You do that for all the universes?”

“Essentially, yes. You have become a great disappointment to me, Bradley Bowman. You should not have stepped Outside. You have left your territory unprotected. Why?”

“I have a little problem,” B said. “With these cloaks.”

“Those motherfucking cloaks again?” the Gardener said, the profanity shocking B so much it made him flinch backward. “What have they done this time?”

B explained: about putting two of the cloaks in exile on a frozen planet, about Henry’s dreams, about the attack on his home, and about the likely futures he saw if the cloaks weren’t stopped. “Since these monsters came from Outside,” B said, “I couldn’t see any choice but to go Outside myself.”

“I will arrange a meeting,” the Gardener said. “A sit-down. Wait.”

So B waited. He wasn’t sure how long. He didn’t think it was centuries, quite. And he suspected the passage of time in this place — or non-place — had no bearing at all on the passage of time elsewhere. In any elsewhere.

The chair spun around of its own accord. Now there was a door on the wall opposite the Gardener’s red lens. The door slid open, and a tall, thin man walked through, ducking to avoid hitting his head on the jamb. He was dressed in a strange ragtag assortment of clothes — a plaid flannel shirt, a pink Easter bonnet, cutoff denim shorts revealing knees that appeared to be put on backwards, steel sabatons. His face was one only Picasso could have loved.

“Ambassador,” the Gardener said. “Meet the Guardian.”

So that’s what they call me, B thought. I’d wondered.

The Ambassador opened his mouth and spoke, but he didn’t move his lips, or tongue: words just emerged from the gaping mouth, as if from a concealed speaker. “We exiled the — ” a strange clicking noise, then the word “cloak” in a distinctly different voice — “to your universe. We did not realize that place was inhabited. By our standards, it scarcely is — vast empty spaces abound there.”

“True,” B said. “But the cloak has a way of making itself heard, and it found sentient hosts.”

“More than one host?” the Ambassador said, mouth gaping, eyes glazed over.

“Sure,” B said. “Lots of hosts, really. Maybe not billions, but probably millions — ”

“A moment,” the Gardener said, and the room filled with a harsh squealing sound, strangely digital. B understood, without knowing how he understood, that the Gardener was communicating with the Ambassador at a very high informational density and rate of speed.

“This creature oversees a multiverse?” the Ambassador said, its tone incredulous, even as its eyes remained blank. “A complex of branching realities, where every possible quantum outcome actually comes to pass? But — what an absurd way to run a universe! Where does the energy come from? If we’d realized, we never would have sent the — ” click, buzz, “cloak” — “there.”

B shrugged. “It’s just the way we do things back home. The problem is, the cloaks have learned to breach the realities, and they’re joining forces, massing, becoming an army — ”

“We understand,” the Ambassador said. “We… will help correct this. If the Gardener will permit it.”

“I’m open to suggestions,” the machine that wasn’t a machine said.

After much discussion — which happened in mere seconds, and not always audibly — they settled on a plan. “I’ll open the door,” Bradley said when they were done.

“And I will seal it,” the Ambassador said.

“Good,” the Gardener said. “Come back when it’s done, and I’ll let you know if it actually worked.”

#

B left Henry on the same paradise planet where he’d promised to strand the Host, because that world’s lack of sentient life made it less tempting for the cloaks to invade. Then he went back home, to his house outside reality.

The cloaks had made his beautiful chateau into their base. His gazebo was gone, razed flat, and the house itself had been bizarrely fortified, with a mishmash of medieval battlements and high-tech armor and weaponry. As if anyone would attack them here! The cloak was so dramatic.

He saw the scarred, fascist version of himself, pacing the battlements, but it didn’t notice him. B was pretty good at not being noticed. He wished he’d had that ability back in his mortal life, when he’d been an actor, and entirely too famous for comfort, at least for a while.

B strolled through the remains of the garden, sighing when he saw that all the plants — the most beautiful from all the realities under his care — were trampled flat. At a particular spot he bent down and dug in the soft mud with a spade, until he uncovered a hatch, perhaps four feet across, made of dull gray metal. A circular handle stood in the middle, and B grunted as he turned it, pushing with all his strength, eventually budding off a couple of instantiations of himself to help turn it and add their leverage.

Someone at the house began shouting, and bullets hit the ground all around him and his copies. A few bullets would have struck them, but he just shifted the bullets into timelines where they didn’t touch him instead, so no harm done. B and his buds hauled open the hatch door, and stood back.

There was a peculiar roaring noise, like a waterfall in reverse, and the cloaked fascist fell from the battlements and was dragged along the ground, feet first, toward the hole B had opened. He clawed at the dirt, grasping for purchase, fingers making long furrows in the mud. The cloak was torn from his shoulders by the terrific vacuum — a vacuum that didn’t affect anything else but the cloak. It went flapping past B, its countless red eyes rolling wildly, and then disappeared into the hole.

B waved his hands, opening conduits to the other realities where the cloaks existed. Pinpricks opened in the air around him, widening to the size of hula hoops, each a window into another world. After a few moments, flapping purple and white monsters began flooding in through the holes, some few dragging their hosts with them partway, most coming unattached. The cloaks poured into the hatch he’d opened, streaming in their untold numbers for what would have been a day and a night in a normal place, before the last one passed through, and vanished into the dark.

B closed his eyes and felt for anything wrong — the splinter, the chip of stone, the bit of shrapnel in the body of his multiverse — and found nothing.

He hauled the hatch closed, and spun the handle shut, and re-absorbed his buds. Then he collapsed, and slept in the mud for some time, even though he was meant to be beyond sleep.

#

“Where are they now?” Henry said. “The cloaks?” They were snuggled up together on the futon, looking up at the stained-glass skylights in the living room. All the other versions of Henry had been put back in their rightful places, and they all probably still hated B, but at least he had this one to hold.

“The farther you get from the center — which is the wrong word, but the right concept — the older the universes get,” B said. “Out on the very edge there are entirely dead universes, ones where heat death happened long ago, where it’s nothing but empty absolute zero. Universes where there’s only expansion, no big crunch, no cycle of creation, just ending and emptiness. The Gardener said we could send the cloaks there, and by combining my powers with those of the Ambassador, we opened a door, and created a sort of… magnet, or vacuum, or irresistible force… that drew things from Outside.”

“So are the cloaks dead?”

“Maybe? I don’t know if they can live in a universe without energy. But there are millions of them now, so maybe they can feed on each other? I don’t even know if they do feed. Maybe they’re breeding merrily, filling up all the available space with copies of themselves. But they’re walled off, is the main thing, in an entirely different universe.”

“They figured out how to pass between realities here,” Henry pointed out.

“Yeah, but that’s different,” B said. “The parallel realities I oversee are all in the same multiverse. This place where we sent the cloaks, it’s way out there, it’s Outside. Traveling between realities in the multiverse is easy compared to traveling between universes. It’s like the difference between walking from one room in your house to another and walking from your front door to another galaxy.”

“I hope you’re right,” Henry said. “But the cloaks can get into dreams, Bradley. How do you lock up something that can find you in your dreams?”

#

After making sure Henry was settled in at home, and that his own more dangerous alternate selves were recovered and sealed in their bell jars again, and that the holes torn in reality had been stitched up to the best of his ability, B finally returned to the Gardener’s chamber, where the Ambassador was waiting.

“Containment seems to be working, so far,” the Gardener said. “The cloaks are writhing and wriggling and testing the boundaries, but the universe where they’re trapped doesn’t give them much to work with. We seem to have averted disaster. For now.”

“I guess that’ll have to do, then.” B shook hands with the Ambassador, who only had four fingers, like a cartoon character. “Next time, could you not send your criminally insane monsters to my universe?”

“Of course,” the Ambassador said. “It was a regrettable error, and will not be repeated.”

“I appreciate you, ah, taking on a shape that’s familiar to me,” B said, since he assumed that was the point of the Ambassador’s horrible human costume. “But I was wondering. Are you all… like the cloak… in your universe? Your true form, I mean — with the eyes, the barbs, the tentacles…”

“Ah,” the Ambassador said. “You think the — ” click, hiss, “cloak” — “is native to our universe. It is not. It invaded us, or was sent to us, long ago, and caused great destruction before we banished it. Frankly, we do not know what it is, or where it comes from.” The Ambassador turned its head stiffly and looked at the Gardener’s glowing red eye. B looked, too. They waited.

“Don’t ask me where the cloak comes from,” the Gardener said at last. “Or what it is. Really. You wouldn’t like the answer.”

“Is that because the answer would be ‘I have no fucking idea?’” B said.

After a long moment, the Gardener said, “No comment.”

 

Regarding Certain Fictions

Wednesday, February 13th, 2013

Here are some things:

I sold a story! “Ghostreaper, or, Life after Revenge” will appear in a future issue of Eclipse Online. I’ve admired the stories editor Jonathan Strahan has published in the magazine (and in the anthology series before that), so I’m pleased to be part of it. The story is a novelette about a modern guy who gets a magical spear from a trickster figure of uncertain intentions and proceeds to mess up his life in interesting ways.

I also sold a story, “Secrets in Storage,” co-written with Greg van Eekhout, to a Lovecraftian anthology. About five years ago Greg wrote an opening and asked me if I could do anything with it. I added a bit, and we batted it back and forth, but it stalled out and never came to anything, sitting unloved and unread for years. Then, when I was asked to do a Lovecraftian story, I realize how Greg’s opening could be a launching point for just such a piece, and dragged it out of cold storage, worked on it, made Greg make it better, and sent it off. A dead story, resurrected (but, of course, that is not dead which can eternal lie; that goes for old story fragments as well as elder gods).

We’re down to the last few days for the Glitter and Madness Kickstarter. Take a look! It would be a fun anthology. My story will be set in the abandoned ice skating rink in Berkeley, a bit of decaying real estate called Iceland (which is also a portal to a Hell of ice, a la The Inferno), at a monster skate party, of sorts. Give ‘em a little if you can. They’re still a bit short of hitting their goal.

My own Kickstarter, for novel Bride of Death, is going beautifully — it’s nearly 150% funded with 20 days to go. Another $665 and we unlock original cover art by the great Lindsey Look, who did the cover for Grim Tides. And if it goes over that level, I’ll come up with additional incentives. (And, you know, buy my kid extra souvenirs at Disneyland when we go for his spring break.)

I’m reading Gooseberry Bluff Community College of Magic: The Thirteenth Rib by David J. Schwartz (one of my favorite writers; hell, one of my favorite people). It’s a serialized novel, and you get all the installments for a mere one-time $1.99 payment. Pretty sweet deal.

Lately I’ve ripped through the Spellman Files series by Lisa Lutz — quirky mysteries (sort of) set in contemporary San Francisco. They’re charming books, driven by a great narrative voice, that of thirtyish former juvenile delinquent Izzy Spellman, who works for the family business as a private investigator. The PI details are pretty realistic, which means the stakes are way lower than you find in most mysteries — in reality, PIs don’t investigate murders; mostly they follow cheating spouses and do background checks. So most of the drama comes from the interpersonal relationships, among a group of chronically nosy, secretive, suspicious people with boundary issues and a willingness to use blackmail and other means to achieve their goals — but who nonetheless love one another very much. Not the sort of thing I usually read (I prefer my mysteries bleak and violent and hardboiled), but great comfort reading.